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It makes for an album that's hard to love right away, but if you stick with it, is a rewarding listen. He occasionally breaks out of the murk to make some noise, like on the strutting "6 God," but mostly he keeps his head down and the mood subdued. His raps sport the same snappy wordplay as usual, but Drake sounds like he's rapping to himself this time out, trying to work out issues and feelings instead of broadcasting to the world.
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There are also no huge radio hooks, and most of the album sounds like it was cooked up (mostly by old mates Noah "40" Shebib and Boi-1da) during sleepless nights behind drawn blinds, with more dank atmosphere than the coach cabin of a passenger jet after an 18-hour flight.
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Par for the course for a Drake album lately, but the difference here is that there are no pop singles to balance the claustrophobic rants. Drake is also mad at women trying to play him for a fool, rappers who diss him, and people who think he's soft. The album's number of references to not getting paid by his label shows that even if the rumors end up being false, Drake was plenty upset with Birdman and his business practices while he was recording this tape. This move came amid reports that Drake was ready to follow his mentor Lil Wayne and leave Cash Money because of money issues.
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His chart-topping "album" If You're Reading This It's Too Late started off life as a free mixtape, but his label Cash Money stepped in at the last minute and changed it to a full-priced release. After a typically busy and fascinating 2014, Drake's 2015 started off much the same way.